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Harry " Sweets" Edison (October 10, 1915 – July 27, 1999) was an American jazz and a member of the Count Basie Orchestra.

(2025). 9781852279370, .
His most important contribution was as a Hollywood , whose muted trumpet can be heard backing singers, most notably .


Biography
Edison was born in Columbus, Ohio, United States. He spent his early childhood in Louisville, Kentucky, being introduced to music by an uncle. After moving back to Columbus at the age of twelve, the young Edison began playing the trumpet with local bands.

In 1933, he became a member of the Jeter-Pillars Orchestra in . Afterwards, he played with the Mills Blue Rhythm Band and . In 1937, he moved to New York and joined the Orchestra. His colleagues included , (who named him "Sweets"), , , , and other original members of that famous band. Speaking in 1956 with 's Don Freeman, Edison explained the origin of his nickname:

Well, this happened one day in March back in '37. All of us in the Basie band were sitting around the lobby of the Woodside Hotel in New York. It was snowing outside, and we were waiting for the bus to go on a tour of one-nighters. We were all like brothers in that band. I was kind of the baby of the band and took a lot of the ribbing. So this time Lester Young was joshing me about my 'sweet' style and he said: "We're going to call you 'Sweetie Pie.'" They did, too, for a few months. Then they shortened it to "Sweets." The nickname has kind of lasted a long time.Freeman, Don (January 25, 1956). "After 17 Years, Edison Is Taking Lessons". Down Beat. p. 33. Retrieved March 1, 2022.

"Sweets" Edison came to prominence as a soloist with the Basie Band and as an occasional composer/arranger for the band. He also appeared in the 1944 film Jammin' the Blues.

Edison spent thirteen years with Basie until the band was temporarily disbanded in 1950. Edison thereafter pursued a varied career as leader of his own groups, traveling with Jazz at the Philharmonic and freelancing with other orchestras. In the early 1950s, he settled on the West Coast and became a highly sought-after studio musician, making important contributions to recordings by such artists as , , Nat King Cole, , , and . He worked closely with the arranger , who gave Edison a microphone that was separate from the rest of the trumpet section. He made use of a Harmon mute to improvise his solos and obbligatos. In 1956, he recorded the first of three albums with .

According to the Encyclopedia of Jazz in the Seventies, Edison in the 1960s and 1970s continued to work in many orchestras on television shows, including Hollywood Palace and The Leslie Uggams Show, specials with Frank Sinatra; prominently featured on the sound track and in the sound track album of the film Lady Sings the Blues. From 1973, Edison acted as Musical Director for on theatre dates, at concerts, and in . He appeared frequently in and until shortly before his death. He was the Los Angeles Jazz Society's first Tribute Honoree.

Edison died of at his home in Columbus, Ohio at the age of 83.


Discography

As leader/co-leader


As sideman
With
  • (Roulette, 1958)
  • Breakfast Dance and Barbecue (Roulette, 1959)
  • Hollywood...Basie's Way (, 1967)
  • Basie's Beat (Verve, 1967)
  • Basie's in the Bag (Brunswick, 1967)
  • Standing Ovation (, 1969)
  • The Original American Decca Recordings (, 1992) – rec. 1937–1939
  • Live at the Sands (Before Frank) (, 1998) –rec. 1966

With

  • Skin Deep (Norgran, 1953)
  • Drumorama! (Verve, 1957)
  • Music, Romance and Especially Love (Verve, 1957)
  • Louis Bellson at The Flamingo (Verve, 1957)
  • Thunderbird (Impulse!, 1965)

With

  • (Columbia, 1960)
  • Dancing the Big Twist (Columbia, 1961)

With

  • Wonderland (Pablo, 1986) – rec. 1976
  • Elegy in Blue (MusicMasters, 1994)

With with

  • Side by Side (Verve, 1959)
  • (Verve, 1959)

With

  • Ella Fitzgerald Sings the Cole Porter Songbook (1956, Verve)
  • Get Happy! (1959, Verve)
  • Hello, Love (1960, Verve)
  • Whisper Not (1967, Verve)
  • 30 by Ella (1968, Capitol)
  • Ella Loves Cole (1972, Capitol)
  • Fine and Mellow (1974, Pablo)
  • All That Jazz (1989, Pablo)

With

  • Music for Torching (Norgran, 1955)
  • (, 1956)
  • Lady Sings the Blues (Clef, 1956)
  • Body and Soul (Verve, 1957)
  • Songs for Distingué Lovers (Verve, 1957)
  • All or Nothing at All (Verve, 1958)

With

  • Vamp 'til Ready (Everest, 1960)
  • The Main Man (Pablo, 1977)

With

  • Go West, Man! (, 1957)
  • The Birth of a Band! (Mercury, 1959)
  • Quincy Plays for Pussycats (Mercury, 1965) - rec. 1959–1965
  • Walk, Don't Run (Verve, 1966)

With

  • The Swinging Buddy Rich (Norgran, 1954)
  • The Wailing Buddy Rich (Norgran, 1955)
  • This One's for Basie (Verve, 1956)
  • Buddy Rich Sings Johnny Mercer (Verve, 1956)
  • Buddy Rich Just Sings (Verve, 1957)
  • (Mercury, 1959)

With

  • Shorty Rogers Courts the Count (RCA Victor, 1954)
  • Martians Come Back! (Atlantic,1956) – rec. 1955
  • Way Up There (Atlantic, 1957) – rec. 1955
  • Shorty Rogers Plays Richard Rodgers (RCA Victor, 1957)

With

  • Swing Easy! (Capitol, 1954)
  • In the Wee Small Hours (Capitol, 1955)
  • Songs for Swingin' Lovers! (Capitol, 1956)
  • Close to You (Capitol, 1957)
  • A Swingin' Affair! (Capitol, 1957)
  • Only the Lonely (Capitol, 1958)
  • Nice 'n' Easy (Capitol, 1960)
  • Sinatra's Swingin' Session!!! (Capitol, 1961)
  • Sinatra & Company (Reprise, 1971)
  • Some Nice Things I've Missed (Reprise, 1974)

With and

  • It Might as Well Be Swing (Reprise, 1964)
  • Sinatra at the Sands (Reprise, 1966)

With Mel Tormé

  • Mel Tormé Live at the Fujitsu–Concord Festival 1990 (Concord, 1990)
  • Night at the Concord Pavilion (Concord, 1990)

With

  • Dreamy (Roulette, 1960)
  • The Divine One (Roulette, 1961)

With

  • Going for Myself (Verve, 1958) – rec. 1957
  • Laughin' to Keep from Cryin' (Verve, 1958)

With others


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